Collection:
Alexandra McCurdy
Alexandra McCurdy
Alexandra McCurdy, ceramist/printmaker/independent curator, and newly inducted member of the Royal Canadian Academy of the Arts, and the International Academy of Ceramics, is a graduate of the Nova Scotia College of Art and Design (BFA) and the Cardiff Institute of Higher Learning in Wales (Masters in 3D Design- Ceramics). She was an Associate Curator of Ceramics at the Art Gallery of Nova Scotia for six years, and has shown her work both nationally and internationally. Her most notable solo exhibitions include the The Ties That Bind at the Canadian Clay and Glass Gallery in Waterloo, Ontario, and two solo traveling exhibitions; Mothers/Daughters, which originated at Halifax’s Mary E. Black Gallery, and S.O.S: Sources of Support, originating at the Art Gallery of Nova Scotia, which traveled to the Confederation Centrenfor the Arts, PEI and to the Burlington Art Gallery, Ontario. She has just concluded a touring retrospective exhibition called The Fabric of Clay at the Burlington Art Centre in Ontario, travelling to Saint Mary’s University Art Gallery in Nova Scotia, and the Beaverbrook Art Gallery in New Brunswick.
Alexandra ’s work is in the permanent collections of the International Museum of Ceramics in Faenza, Italy; the Gardiner Museum, Ontario; the Burlington Art Gallery, Ontario; the Beaverbrook Art Gallery, New Brunswick; the Victoria Art Gallery, British Columbia; Saint Mary’s University Art Gallery, Nova Scotia; the Canadian Clay and Glass Gallery, Ontario; the Canadiana Fund and the Royal Ontario Museum; the Art Bank of Nova Scotia; the Nova Scotia Museum; the Art Gallery of Nova Scotia and of the Crafts Nova Scotia. As well, her work is in numerous private collections.
Reviews of her work and articles about her career have been included in ceramic-focused periodicals including Australia's prestigious Ceramics:Art and Perception, American Ceramics, Ceramics Monthly from the US, and Canada's Contact, Fusion, Arts Atlantic, Ontario Craft, and Visual Arts Nova Scotia.
Last year she was accepted to the Marion McCain exhibition of Contemporary Atlantic Art at the Beaverbrook Art Gallery in New Brunswick, and to the 2019 Gyeonggi International Ceramic Biennale in Korea. She was also awarded the Best Body of Work at the Craft Nova Scotia Christmas Market.
Alexandra ’s work is in the permanent collections of the International Museum of Ceramics in Faenza, Italy; the Gardiner Museum, Ontario; the Burlington Art Gallery, Ontario; the Beaverbrook Art Gallery, New Brunswick; the Victoria Art Gallery, British Columbia; Saint Mary’s University Art Gallery, Nova Scotia; the Canadian Clay and Glass Gallery, Ontario; the Canadiana Fund and the Royal Ontario Museum; the Art Bank of Nova Scotia; the Nova Scotia Museum; the Art Gallery of Nova Scotia and of the Crafts Nova Scotia. As well, her work is in numerous private collections.
Reviews of her work and articles about her career have been included in ceramic-focused periodicals including Australia's prestigious Ceramics:Art and Perception, American Ceramics, Ceramics Monthly from the US, and Canada's Contact, Fusion, Arts Atlantic, Ontario Craft, and Visual Arts Nova Scotia.
Last year she was accepted to the Marion McCain exhibition of Contemporary Atlantic Art at the Beaverbrook Art Gallery in New Brunswick, and to the 2019 Gyeonggi International Ceramic Biennale in Korea. She was also awarded the Best Body of Work at the Craft Nova Scotia Christmas Market.